It is difficult to get good results in pine. Some of what I do is NOT optimum but it helps and unfortunately also slows down the process.
If I am doing lettering on a sign I will pocket down to the face of the letters +.005-.010. Then I will put in a 1.5mm/2.0mm bit to profile around them to depth using a spiral strategy. The small bits do not chip things out like a larger bit will and leave very little fizz around the edges. The added benefit is that the letters are much crisper than profiling with a larger bit.
Next I pocket out around the letters leaving .005/010 on the bottom and the walls of the pocket with a larger bit, usually a 6mm. IMHO using finish cuts is key to getting good results in pine. Note: I usually offset the profiles of the letters by a few thousandths just to keep the larger bit from touching the edges of the letter that have been cut.
To finish up I will make a pocket cut to remove that .005/.010 that was left on the face of the letters, always cutting with the grain, no offset strategy.
Yup, it takes more time than just tossing in a bit and telling it to just pocket out the letters all in one go. But then when it is done I do not have chipped out edges and lots of fuzzies all over the place. One of the problems I have is that 1.5mm and 2.0 mm bits will only cut .375 deep maximum. But usually that is good enough for most lettering tasks.
I work a lot with big box store pine. Most of what I am doing lately is painted. There is a lot of what I will call "cathedral" face lumber in those piles of boards. Almost all of it. So the other thing I do is rip the boards to the thickness I need, then turn them 90 degrees so that "cathedral" face becomes the glue face. That way there is much tighter grain on the surface of the blank. Yup, another step that takes time. The other benefit to doing this is that you end up with blank that does not cup as badly. Also, I always use a blank that is about .125 -.250 thicker than the final thickness. I leave fairly thick tabs, about .187. When I am done cutting the sign I flip the whole thing over if it is a bit warped and take a skim pass on the back side.
Ah, yes, one other thing I do to avoid problems is cut a slot along the ends of the blanks for the clamps. That way I can surface both sides without having clamps or screws in the way.
Well, that is how I cut big box pine these days.
Oops, one other thing. If I am doing something large that will raise a lot of nasty fuzzies when painting I will leave it on the machine and put a coat of thinned out water based Kilz on it. Talk about raise the grain! Then rerun the profiling programs to remove the huge fuzzies that appear. Seems to work pretty well, but is downright slow.
Edit: I use HSS bits whenever possible, they are sharper and cut pine better than carbide.
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